On Tuesday, January 17 the Mittal Institute will host the “Interrogating the Indigenous in Northeast India: Political Movements, Cultural Poetics, and the Performative Capital” conference, which will trace “indigenous” as a historical category, investigating the ways in which the indigenous question has become a shared language of social critique in Northeast India. The conference will begin with a keynote lecture on “Indigeneity and Contemporary Northeast India: History and its Contingencies” by Professor Arupjyoti Saikia, Indian Institute of Technology, Guwahati. We spoke with conference convener Ankur Tamuli Phukan, Mittal Institute India Fellow based in our Delhi office. He shared the motivations behind the conference, and what he hopes attendees can glean from the panel discussions.

Komal Shahid Khan, based in Islamabad, Pakistan, was a Visiting Artist Fellow at the Mittal Institute in 2016. She received a master’s in fine arts from the Fatima Jinnah Women University in Rawalpindi, Pakistan with a specialization in miniature painting and was awarded a Gold Medal for her thesis show. After graduating, she started her career with a focus on group shows in art galleries in Islamabad/Rawalpindi and later moved to Lahore and Karachi. She also taught at the National College of Arts Rawalpindi, Pakistan, as a Lecturer. In 2016, she held her first solo exhibition titled “Imagined Immortals” in Karachi, Pakistan. We caught up with Komal to learn more about life after her LMSAI Fellowship.