Symposium Schedule
Opening Keynote Panel with Dharma and Punya Curators
Thursday, December 5
5:30 – 6:30pm
Lecture Hall, Lower Level, 485 Broadway, Cambridge
Reception: 6:30 – 7:30pm, HAA Living Room, 4th floor
485 Broadway, Cambridge
Symposium
Friday, December 6
8:00am – 6:00pm
Thompson Room, Barker Center, 12 Quincy St, Cambridge
Dharma and Punya Exhibition Group Visit*
Saturday, December 7
10:00am – 3:00pm
Iris B. Gerald Cantor Art Gallery, College of the Holy Cross
*Space limited, pre-registration required
Our Fall 2019 Visiting Artist Fellows, Sagar Chhetri from Nepal and Sakshi Gupta from India, will exhibit their artwork to provide creative commentary on identity today in South Asia. During the reception, both Chhetri and Gupta will present their work and engage in a discussion with the audience. Snacks will be served at the October 15 opening reception!
Eclipse, Sagar Chhetri
At the Still Point of the Turning World, Sakshi Gupta
The exhibition will be available for viewing between October 15, 2019 and November 26, 2019 on the fourth floor of CGIS South. The opening reception will take place on October 15, 2019.
Misaq-e-Ishq means The Covenant of Love and during this event Ali Asani ’77 (professor of Indo-Muslim and Islamic Religion and Cultures at Harvard); Pakistani pop star and author Ali Sethi ’06; and vocalist, guitarist and Grammy Award-winning producer Noah Georgeson will bring alive through musical performance, the poetic consciousness of several legendary South Asian mystic poets.
Amar Kanwar presents an artist talk. The following evening on Friday, April 19, 7 pm, Such a Morning will be screened at the Harvard Film Archive.
Both Amar Kanwar programs are presented in collaboration with The Carpenter Center for the Visual Arts, Harvard Film Archive, Film Study Center, and The Lakshmi Mittal and Family South Asia Institute, Harvard University.
The show features two artists from Pakistan and India who reflect on the impact of The 1947 Partition of British India in their works. Mahboob Jokhio and Krupa Makhija explore the interplay between culture, language and identity through a deeply personal lens.
The 1947 Partition of British India displaced millions of people along religious lines and led to the creation of two new countries: Pakistan and India. In this exhibition, Mahbub Jokhio and Krupa Makhija, the Mittal Institute’s Spring 2019 Visiting Artist Fellows reflect on the impact of the partition. Their work explores the deeply personal issues of culture, language, and identity in the region.
In collaboration with Harvard’s Bow and Arrow Press, The Mittal Institute’s Artist in Residence Kabi Raj Lama will lead a three-hour demonstration and workshop on Japanese Woodcut Print-making.
