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Mon, Dec 2, 2019 at 04:30pm
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Mon, Dec 2, 2019 at 06:00pm
Speaker: Karthika Naïr, Author and Poet
Moderator: Parimal Patil, Professor of Religion and Indian Philosophy, Harvard University
In Until the Lions, Karthika Naïr retells the Mahabharata through the embodied voices of women and marginal characters, so often conquered and destroyed throughout history. She captures the richness and complexity of the Mahabharata, while illuminating lives buried beneath the edifices of one of the world’s most venerated books — revealing the most intimate threads of desire, greed, and sacrifice.
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Thu, Dec 5, 2019 at 05:30pm
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Sat, Dec 7, 2019
Symposium Schedule
Opening Keynote Panel with Dharma and Punya Curators
Thursday, December 5
5:30 – 6:30pm
Lecture Hall, Lower Level, 485 Broadway, Cambridge
Reception: 6:30 – 7:30pm, HAA Living Room, 4th floor
485 Broadway, Cambridge
Symposium
Friday, December 6
8:00am – 6:00pm
Thompson Room, Barker Center, 12 Quincy St, Cambridge
Dharma and Punya Exhibition Group Visit*
Saturday, December 7
10:00am – 3:00pm
Iris B. Gerald Cantor Art Gallery, College of the Holy Cross
*Space limited, pre-registration required
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Tue, Oct 15, 2019 at 06:00pm
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Tue, Oct 15, 2019 at 08:00pm
Our Fall 2019 Visiting Artist Fellows, Sagar Chhetri from Nepal and Sakshi Gupta from India, will exhibit their artwork to provide creative commentary on identity today in South Asia. During the reception, both Chhetri and Gupta will present their work and engage in a discussion with the audience. Snacks will be served at the October 15 opening reception!
Eclipse, Sagar Chhetri
At the Still Point of the Turning World, Sakshi Gupta
The exhibition will be available for viewing between October 15, 2019 and November 26, 2019 on the fourth floor of CGIS South. The opening reception will take place on October 15, 2019.
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Sun, May 5, 2019 at 07:00pm
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Sun, May 5, 2019 at 08:30pm
COST General public: $10
Students and Harvard ID holders: Free
Misaq-e-Ishq means The Covenant of Love and during this event Ali Asani ’77 (professor of Indo-Muslim and Islamic Religion and Cultures at Harvard); Pakistani pop star and author Ali Sethi ’06; and vocalist, guitarist and Grammy Award-winning producer Noah Georgeson will bring alive through musical performance, the poetic consciousness of several legendary South Asian mystic poets.
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Tue, Apr 9, 2019 at 04:30pm
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Tue, Apr 9, 2019 at 06:00pm
A lecture and demonstration by Mallika Sarabhai, one of India’s leading choreographers and dancers for over three decades. In constant demand both as a soloist and with her own dance company, Darpana, she has created and performed classical and contemporary works around the world. A constant activist for societal education and women’s empowerment, Sarabhai has created numerous stage productions that have raised awareness about crucial issues, advocating change throughout India.
Moderator:
Homi Bhabha, Anne F. Rothenberg Professor of the Humanities at Harvard University
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Tue, Mar 26, 2019 at 04:30pm
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Tue, Mar 26, 2019 at 06:30pm
The show features two artists from Pakistan and India who reflect on the impact of The 1947 Partition of British India in their works. Mahboob Jokhio and Krupa Makhija explore the interplay between culture, language and identity through a deeply personal lens.
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Thu, Aug 9, 2018 at 06:00pm
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Thu, Aug 9, 2018
Please join us for this two-part lecture cosponsored by Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) and supported by Jai & Sugandha Hiremath – Hikal Ltd. An invitation to this event may be found here.
Art and Science of the Forbes Pigment Collection by Narayan Khandekar
Dr Narayan Khandekar tells us about the Forbes Pigment Collection. It will cover the reasons why Edward Waldo Forbes started collecting pigments, how the collection grew, new additions to the collection and how it is used now by using case studies from the activities of the Straus Centre for Conservation and Technical Studies.
Narayan Khandekar leads the Strauss Center’s conservation and research activities, as well as those for the Center for the Technical Study of Modern Art. Specializing in the scientific analysis of paintings and painted surfaces, he has published extensively on the subject. He curates the Forbes Pigment Collection and the Gettens Collection of Binding Media and Varnishes.
Color and Pigments in Indian Painting by Jinah Kim
How blue is Krishna? Does the Sankrit term “kṛṣṇa” mean blue? Color experience is highly subjective, and color terms pose semiotic challenges. A fluid semantic range in Sanskrit makes it even more challenging to identify which color a color term denotes. Here, the data gleaned from scientific analysis of pigments and the study of material and physical aspects of paintings as objects can help unpack the role of artists in shaping the way we see color. Identifying pigments in use in Indian miniature painting and reading them in close comparison with the colors discussed in theoretical texts and artistic treatises, afford us a glimpse into artists’ intimate, embodied knowledge of each color’s material properties. This talk will demonstrate how efforts to contextualize the analytical data on pigments with art historical questions can help advance our understanding of color and pigments in the history of painting beyond a matter of confirmation of a pigment’s use.
Jinah Kim is the Gardner Cowles Associate Professor of History of Art and Architecture. Professor Kim’s research and teaching interests cover a broad range of topics with special interests in intertextuality of text-image relationship, art and politics, female representations and patronage, issues regarding re-appropriation of sacred objects, and post-colonial discourse in the field of South and Southeast Asian Art.
