Misaq-e-Ishq means The Covenant of Love and during this event Ali Asani ’77 (professor of Indo-Muslim and Islamic Religion and Cultures at Harvard); Pakistani pop star and author Ali Sethi ’06; and vocalist, guitarist and Grammy Award-winning producer Noah Georgeson will bring alive through musical performance, the poetic consciousness of several legendary South Asian mystic poets.
Amar Kanwar presents an artist talk. The following evening on Friday, April 19, 7 pm, Such a Morning will be screened at the Harvard Film Archive.
Both Amar Kanwar programs are presented in collaboration with The Carpenter Center for the Visual Arts, Harvard Film Archive, Film Study Center, and The Lakshmi Mittal and Family South Asia Institute, Harvard University.
The show features two artists from Pakistan and India who reflect on the impact of The 1947 Partition of British India in their works. Mahboob Jokhio and Krupa Makhija explore the interplay between culture, language and identity through a deeply personal lens.
The 1947 Partition of British India displaced millions of people along religious lines and led to the creation of two new countries: Pakistan and India. In this exhibition, Mahbub Jokhio and Krupa Makhija, the Mittal Institute’s Spring 2019 Visiting Artist Fellows reflect on the impact of the partition. Their work explores the deeply personal issues of culture, language, and identity in the region.
In collaboration with Harvard’s Bow and Arrow Press, The Mittal Institute’s Artist in Residence Kabi Raj Lama will lead a three-hour demonstration and workshop on Japanese Woodcut Print-making.
In collaboration with partners in the Indian education and public health sectors, Professor Doris Sommer (FAS and Director of Cultural Agents) hopes to contribute to development in India with Pre-Texts by engaging local strengths to promote: Literacy, Innovation, and Citizenship. The seminar includes lunch and will be followed by a demonstration of Pre-Texts with audience participation.
