Amar Kanwar (b. 1964) is a New Delhi-based filmmaker and artist whose work has powerfully mined the potential of a slower, drifting method of moving image to forge a politically charged and engaged mode of gently expanded cinema. Kanwar’s critically acclaimed yet fiercely debated Such a Morning hovers on the border between magical realist allegory and slow cinema trance film with an almost Calvino-like fable of a renowned mathematician impulsively abandoning his university post, without explanation, to hibernate in a train car abandoned deep in a lush forest.
SAI Event Type : Film Event
Acclaimed director Deepa Mehta, will screen her seminal film, Earth, and will participate in a conversation after the film.
“I am enchanted. I am swept away. I am smiling from one end of the film to the other.”
This was film critic Roger Ebert’s reaction to Nina Paley’s Sita Sings the Blues (2008), an animated film that follows two parallel stories. The first is the ancient tale of Sita, the heroine of the Hindu mythological story of the Ramayana, and the second is the modern biographical tale of Nina, the filmmaker herself.
The film opens the discipline of architecture and filmmaking to self-critique and looks at the way that they imagine and construct a nation and its citizen.
Harvard Art Museums will screen two landmark Indian films, Amar Akbar Anthony (1977) and Chak De! India (2007) – Free Admission.
Harvard South Asia Institute (SAI) and The Critical Collective invite you to a program on The 1947 Partition of British India.