The rural community of Pind Begwal, Pakistan, lies just 20 miles from the capital city of Islamabad. But throughout the community, medical infrastructure remains limited, only assuaged by a small, dilapidated health center that suffers from regular doctor absenteeism. Last year, a team by the name of Saving 9 participated in the Mittal Institute’s Seed for Change competition, earning a grant to help launch their Community Aid and Response in Emergencies (CARE) project in Pind Begwal. In September 2018, the team launched the program, their goal to create a robust system that would provide emergency medical treatment to a community that has limited access to healthcare.
Category : Pakistan
In a recent paper, Professor Ian Talbot, a 2018 Mittal Institute Visiting Fellow and Professor at the University of Southampton, delved into the precarious politics of Pakistan’s formative years in the 1950s. Below is an excerpt from the paper; click the link within this post to view the paper in its entirety.
Sarah Khan, a Postgraduate Associate at Yale MacMillan Center, recently visited Harvard to discuss her team’s field experiment in Lahore during the 2018 Pakistan General Elections and their work to understand the gender gap in voter turnout in Pakistan. “The question that we’re interested in as it pertains to Pakistan is: what explains — and relatedly — how can we close the large and persistent gender gap in voter turnout in Pakistan?” Khan asked.
In Pakistan and India, the figure of the “educated girl” has emerged over the past few decades, linked to the countries’ politics, educational reform, and campaigns for development. But what is the true meaning behind this idealized figure of Muslim women and girls?
Shenila Khoja-Moolji is an Assistant Professor of Gender, Sexuality, and Women’s Studies at Bowdoin College, where she examines the relationships between race, gender, religion, and power across nations and with particular attention to Muslim populations. She recently authored the book Forging the Ideal Educated Girl: The Production of Desirable Subjects in Muslim South Asia, where she takes an in-depth exploration of her research into the history and culture surrounding the figure of the “educated girl” in postcolonial Pakistan and colonial India.
“I was born in a very literary family full of artists, poets, and writers. The art was in the blood, and then my uncle, who is also a visual artist internationally recognized, so he basically channeled my interest into visual arts. Since then I have been involved in visual arts,” says Mahbub Jokhio, one of the Mittal Institute’s newest Visiting Artist Fellows for Spring 2019.
For years, Mariam Chughtai has immersed herself in the study of the complex politics of identity, religion, and terrorism in Pakistan. Today, as The Mittal Institute’s Babar Ali fellow, she is writing a book that brings her research and real-world experience in South Asia to life, exploring the tension between the politics and culture of Pakistan to rewrite the narrative that has been erroneously given to the nation.
2018 Visiting Artist Imran Channa is a contemporary artist from Pakistan. His art practice interrogates the intersection between power and knowledge. Channa’s primary focus is on the documentation and dissemination of historical narratives and events. He explores how fabricated narratives can override our collective memory to shape individual and social consciousness and alter human responses. In this interview, we discuss how he first became interested in installation artwork and the benefits of making art abroad.
Curious about how artists make traditional Indian Miniature paintings? Check out our video of the demonstration and workshop led by artist and art historian Murad Mumtaz Khan, organized as part of Professor Jinah Kim’s Painting in India Course (HAA184x Painting of India) at the Harvard Art Museums Materials Lab.
Congratulations to Green Screen and Umbulizer, the winners of our 2018 Seed for Change Competition. Umbulizer, the winner of Seed for Change Pakistan, will receive $15,000 to further develop a reliable, low-cost, and portable device that can provide continuous ventilation to patients in resource-limited healthcare settings. Green Screen, winner of Seed for Change India, will receive $40,000 to produce a zero-electricity, modular ventilation panel made from an agricultural waste byproduct and designed for the slums of New Delhi, India.
Murad Khan Mumtaz’s research focuses on devotional portraiture with a special interest in representations of Muslim saints in early modern India. On April 6th, he gave a talk at SAI that will discuss sixteenth and early-seventeenth-century album and manuscript paintings made for Muslim patrons. Before his talk, we chatted with him about his Miniature Portrait training at the Lahore National College of Art, his influences, and journey into traditional musawwari painting.
After realizing that he could use food to make an impact within communities, Neel Ghose founded the Robin Hood Army to serve neighborhoods across India, Pakistan, and other Asian countries. Learn more about his mission and strategies from this interview.
SAI is pleased to announce our 2018 Visiting Artists, who will be at Harvard from mid-March to mid-May. During their time at Harvard, the artists will display their work on campus, meet with students, attend courses, and give public seminars.