2018 Visiting Artist Imran Channa is a contemporary artist from Pakistan. His art practice interrogates the intersection between power and knowledge. Channa’s primary focus is on the documentation and dissemination of historical narratives and events. He explores how fabricated narratives can override our collective memory to shape individual and social consciousness and alter human responses. In this interview, we discuss how he first became interested in installation artwork and the benefits of making art abroad.
Category : Partition
“On 28th April 2018, I Interviewed Mr. Milkha Singh (Flying Sikh), one of the finest athletes India has ever produced” beamed a very excited Akshay Veer, a Partition ambassador at the Mittal Institute, Harvard University. Akshay was part of a 55 student cohort that worked on a project titled, ‘Looking Back, Informing the Future – The 1947 Partition British India: Implications of Mass Dislocations across Geographies.’ As part of this project, student ambassadors collected and documented oral stories from survivors of the Partition.
The birth of Hindu-led India and Muslim-ruled Pakistan in 1947 from what had been British India was horrifically violent, the start of a religious conflict in which millions died and millions more fled across the new borders toward safety. The great sorting that occurred after the Partition of India remains the largest forced migration in human history, characterized not just by the bloodshed and tears with which it is often associated, but also by often-overlooked acts of courage and kindness, according to Harvard scholars studying it.
“We learn more about this world-changing event from the stories of men, women and children who were not in the top tiers of the Muslim League or Indian National Congress parties whose history has come to define this seminal event in the world’s memory.” – Nabil A Khan, Visiting Scholar, FXB Center, Harvard