My main goal was to examine the production of religious sound in a variety of settings, with an eye toward the social demarcation of “spaces” around the sites of these sounds. Of course, this originally led me to the kinds of places that one would obviously expect: shrines, churches, gurdwaras, masjids, a few Buddhist monasteries, and so on. After listening to most of the field recordings I made, they all seemed to end up pointing to the sort of conclusions that are common in the literature on sound studies in urban spaces: people go about their business within their particular location-bound social milieu, but sound bleeds over.
Category : Students
The Cilappatikāram (“The Tale of an Anklet”) is a 5th century Tamil epic telling the story of Kovalan, a merchant, and his wife Kannaki, who becomes a goddess. Ilango Adigal is credited as the author of this literary work. Over the summer, I conducted the preliminary research for my intended dissertation project on the Cilappatikāram and its reception and retelling histories. During my research, I was able to address my interests and needs for my dissertation in numerous ways.
In the past, conservation studies in India have mainly focused on architectural preservation efforts to protect and maintain designated monuments. In many ways, this is the legacy of the former colonial regime, which enacted stringent preservation laws and laid the academic foundation for the predominant mode of conservation we now see in modern-day India. This is exemplified in the manner in which state agencies, advocacy groups, and academics have dealt with archaeological sites, as plots entirely removed from their urban contexts.
With my grant from the Lakshmi Mittal and Family South Asia Institute, I spent eight fruitful weeks abroad, studying the how and the why of the limited set of historic designations in Kolkata. My daily activities were structured around site visits, photographic and written documentation of spatial practices and cultural phenomena, investigative interviews with scholars and professionals in the field of conservation, theoretical readings, and archival work. I spent the first six weeks in Kolkata trying to better understand the city’s spatiality and how many Kolkatan’s livelihoods and daily activities engage with the hybridization of the old and the new.
By Tommy Schaperkotter. This summer I traveled to Bangladesh to survey and conduct fieldwork in the Rohingya refugee camps located in the Ukhiya and Teknaf regions, adjacent to the country’s border with Myanmar. I am pursuing this research as a component of a publication and my master’s thesis at the Harvard Graduate School of Design, which addresses the architectural and urban patterns of refugee settlements created in the wake of forced migration that has engendered a humanitarian crisis heretofore unprecedented. This crisis is often explained as one of refugees, but not always as one of refuge, of architectural spaces where the voices, memories, and capabilities of people are held in abeyance, precluded from substantive participation in the creation of their own built environment.
Working with the Davis Museum at Wellesley College, Harvard doctoral student Sonali Dhingra has brought to life a collection of South Asian paintings and sculptures from across the Indian subcontinent, provided by private collectors Carol (alumna of Wellesley College, ’79) and John Rutherford. This fall, the Rutherford Collection will be on display at the Davis Museum from September 12 to December 15, 2019.
By Pranati Parikh. This summer, I participated in the Sanskrit program in Pune, Maharashtra, offered by the American Institute of Indian Studies. It surprised no one, I think, that I spent approximately ten weeks of my summer in India — a country to which I owe my cultural and religious heritage, a country which is home to people who look like me, who use similar blends of spices in their daily cooking, and from whose mouths spills a cadence of speech that echoes my own family. India is as familiar to me as my mother’s hands. And, yet, this summer was a glimpse into a new India. It was a time for appreciating granularities in a familiar topography, and finding it splendidly unfamiliar at every step, yet, in the end, discovering a place for myself.
The Mittal Institute’s paid internships with the Communications team give students the opportunity to receive training in multimedia, publicity, social media management, writing, and editing. The successful candidate will learn how to manage multimedia projects and assist with social media outreach.
Looking to fund your research, internship, or language study in South Asia this winter? Applications to our graduate and undergraduate grants are open for Winter 2019! Be sure to apply by Friday, October 11, 2019 at 11:59 PM.
Planning out your Fall schedule? One class you won’t want to miss out on is Contemporary Developing Countries: Entrepreneurial Solutions to Intractable Social & Economic Problems (GENED 1011), now available to students at Harvard College and Harvard graduate schools. [HBS 1266, GSE A-819, HLS 2543, HKS DEV-338, GSD SES-5375. Others may cross-register]. Meeting Mondays and Wednesdays (3:00–4:15 PM, Sever Hall 113), the class is taught by Professors Tarun Khanna (HBS), Satchit Balsari (HMS, HSPH), Krzysztof Gajos (SEAS), Rahul Mehrotra (GSD), and Doris Sommer (FAS). Through the semester, students will examine salient economic and social problems of the developing world through the entrepreneurial lenses of the artist, scientist, and planner; each theme taught by one of the professors above.
Fall Class: Contemporary Developing Countries — Entrepreneurial Solutions to Intractable Social & Economic Problems (GENED1011)
Contemporary Developing Countries: Entrepreneurial Solutions to Intractable Social & Economic Problems will be available to Harvard College, FAS, GSAS, HBS, HGSE, HKS, and HLS students. This course provides a framework (and multiple lenses) through which to think about the salient economic and social problems of the developing world.
The Mittal Institute’s 1947 Partition of British India project seeks to unravel the history behind one of the world’s largest forced migration events, allowing us to understand the implications of mass dislocations across geographies. Despite the amount of established historical and political scholarship on the Partition, there is still much to uncover through oral accounts from minority groups within India — specifically, from Muslim families who did not migrate to Pakistan.