A recent panel discussion at the Mittal Institute, “Rethinking the Museum Experience During and Post-COVID-19″ — moderated by Jinah Kim, Professor of History of Art and Architecture at Harvard University — explores how art institutions can remain nimble enough to respond to uncertainties, such as COVID-19, adapting their approach to tackle similar situations in the future. How can art institutions engage their patrons as partners in the sustainability of museums?
Category : Arts at SAI
“The southern border of Nepal, along India, was created 150 years ago by external parties,” says Sagar Chhetri, a visual artist from Nepal and a former Visiting Artist Fellow at the Mittal Institute. When that border was created, communities were cut in two. “[In Nepal], the ruling caste tried to unite all the peoples of the country to create one single Nepali identity. But in the populous open border region, Nepalis and Indians share marital ties, cultures, languages, and histories. With the promise of federalism during the decade-long civil war in Nepal came stronger rhetoric and ideology based on ethnic identity,” he said.
Suhasini Kejriwal, a mixed media artist from India, joined the Mittal Institute earlier this Spring in our latest group of Visiting Artist Fellows. Through photography, paintings, embroidery, and more, Suhasini’s practice acts as witness to the lived experiences of those whom she observes, living out their lives in the busy streets of India’s urban landscapes.
Applications for the Fall 2020 and Spring 2021 Visiting Artist Fellowship semesters open on Monday, April 13, 2020. The deadline to apply for the both semesters of the fellowship is Monday, May 11, 2020. For more information, click the button below.
Numair Abbasi, a mixed media artist from Pakistan, recently joined the Mittal Institute in the latest group of Visiting Artist Fellows. Numair’s practice draws on popular culture, anecdotes, and colloquialisms to stage personal and social narratives in attempts to challenge the politics behind how gender is socially constructed and performed.
Through the Mittal Institute’s South Asia and the Arts Travel Fund, I traveled to Vadodara, Gujarat and Mumbai, Maharashtra in India to conduct research for my qualifying paper, a requirement in the History of Art and Architecture Department at Harvard University. My qualifying paper explores the conception of the mother-child motif in ancient India within Hindu, Buddhist, and Jain traditions, and expands on the function and role of these goddesses and the similarities and differences in their worship.
The digital version of the Mittal Institute’s 2016–2020 Arts Program Report has just been released! The report highlights the Mittal Institute’s Visiting Artist Fellows from 2016–2020, as well as the new developments in the Program on Conservation of Culture. Check out the digital version here to learn more. Below, read Professor Jinah Kim’s introduction to the report and the Arts Program at the Mittal Institute.
Sakshi Gupta is an accomplished sculptor and mixed media artist from India and one of the Mittal Institute’s Fall 2019 Visiting Artist Fellows. Her practice frames human conditions of understanding, progressing, suffering, and halting due to a lack or gain of knowledge, will, or energy. Her work grapples with the need to achieve a balance between life’s inherent polarities, exhibiting this by utilizing materials often considered waste or ordinary. She’s dedicated her life to an immersive journey through form and material, toward the non-material and experiential.
The Mittal Institute is pleased to announce its newest donor, Kushagra Nayan Bajaj, an Indian businessman who is the Chairman of the Bajaj Group, the Chairman and Managing Director of Bajaj Hindusthan Limited, and Chairman of Bajaj Corp Limited. His support will create a new, upcoming visiting research fellowship at the Mittal Institute to deepen the teaching and research on significant cultural issues related to South Asia. We spoke with him to learn more about his background and his interest in the Mittal Institute.
Co-curated by Dr. Jinah Kim, Professor of History of Art & Architecture at Harvard University, and Dr. Todd Lewis, Distinguished Professor of Religious Studies at College of the Holy Cross, the Dharma and Punya: Buddhist Ritual Art of Nepal exhibit at the College of the Holy Cross’s Iris & B. Gerald Cantor Art Gallery highlights Nepal’s artistic heritage as a rich and enduring continuation of Indic Buddhist traditions. From December 5–7, 2019, the Nepal Mandala Symposium will bring together scholars of religion, anthropology, and art history whose work examines critically various aspects of Nepal’s culture and history, culminating in a visit to the exhibition. We sat down with Dr. Jinah Kim to learn more about Nepal’s artistic heritage, the role of ritual in Buddhism, and what to expect from the upcoming Symposium and exhibition.
This week, the Visiting Artist Fellows’ Fall 2019 exhibit, Exploring Identity Through a Contemporary South Asian Lens, opened at the Mittal Institute. Available for viewing through November 26, photographer Sagar Chhetri and sculptor Sakshi Gupta unveiled their artistic interpretations of life, time, and the human condition to a rapt audience. The 8-week Visiting Artist research program provides a vital platform for an exchange of perspectives and knowledge, linking Cambridge and South Asia through shared stories and new understandings and providing artists from South Asia the opportunity to use Harvard’s resources to perform research that will inform their art practice.
This September, the Lakshmi Mittal and Family South Asia Institute at Harvard University partnered with the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Museum in Mumbai to hold a workshop exploring how museums could potentially create an expanded culture of civic life that represents and nurtures the diverse and plural sensibilities of those with whom they share space.