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Category : Arts at SAI


Unpacking Binaries in the Art of South Asia

Unpacking Binaries in the Art of South Asia

In partnership with Boston’s Museum of Fine Arts (MFA), the Mittal Institute recently hosted a webinar that delved into the history of art in South Asia. Presented by Laura Weinstein, the Ananda Coomaraswamy Curator of South Asian and Islamic Art at the MFA, she discussed with Jinah Kim, George P. Bickford Professor of Indian and South Asian Art at Harvard University, a new publication from the MFA that explores its South Asian collection, while critiquing the binaries based in Western Enlightenment thought that have historically been applied to art from India and its neighbors.

Partition’s Legacy: South Asian Art on the Line

Partition’s Legacy: South Asian Art on the Line

Recently, the Mittal Institute teamed up with the Peabody Essex Museum for a discussion on “Partition’s Legacy: South Asian Art on the Line.” Post-independent South Asia is depicted in many forms, with the intent to make sense of its complexities. After the Partition of the subcontinent along the Radcliffe Line, the socio-political ruptures and conflicts that ensued created numerous questions.

The Mittal Institute’s 2020–2021 Visiting Artist Fellows

The Mittal Institute’s 2020–2021 Visiting Artist Fellows

Due to COVID-related programming changes, we have reimagined the 2020-2021 Visiting Artist Fellowship. We have selected 14 Visiting Artist Fellows, including photographers, sculptors, videographers, and mixed media artists to attend a series of four online virtual seminars curated for them to support the artists’ long-term practice, while simultaneously contributing to thought-provoking discussions among their peers and the faculty facilitating the class.

Podcast: Rethinking the Museum Experience During and Post-COVID-19

Podcast: Rethinking the Museum Experience During and Post-COVID-19

A recent panel discussion at the Mittal Institute, “Rethinking the Museum Experience During and Post-COVID-19″ — moderated by Jinah Kim, George P. Bickford Professor of Indian and South Asian Art at Harvard University — explores how art institutions can remain nimble enough to respond to uncertainties, such as COVID-19, adapting their approach to tackle similar situations in the future. How can art institutions engage their patrons as partners in the sustainability of museums?

An Artist’s Journey from Nepal to Cambridge, and Back

An Artist’s Journey from Nepal to Cambridge, and Back

“The southern border of Nepal, along India, was created 150 years ago by external parties,” says Sagar Chhetri, a visual artist from Nepal and a former Visiting Artist Fellow at the Mittal Institute. When that border was created, communities were cut in two. “[In Nepal], the ruling caste tried to unite all the peoples of the country to create one single Nepali identity. But in the populous open border region, Nepalis and Indians share marital ties, cultures, languages, and histories. With the promise of federalism during the decade-long civil war in Nepal came stronger rhetoric and ideology based on ethnic identity,” he said.

Suhasini Kejriwal: Transforming India’s Urban Landscape Through Art

Suhasini Kejriwal: Transforming India’s Urban Landscape Through Art

Suhasini Kejriwal, a mixed media artist from India, joined the Mittal Institute earlier this Spring in our latest group of Visiting Artist Fellows. Through photography, paintings, embroidery, and more, Suhasini’s practice acts as witness to the lived experiences of those whom she observes, living out their lives in the busy streets of India’s urban landscapes.

The Centuries-Old Sculptures and Temples of Western India

The Centuries-Old Sculptures and Temples of Western India

Through the Mittal Institute’s South Asia and the Arts Travel Fund, I traveled to Vadodara, Gujarat and Mumbai, Maharashtra in India to conduct research for my qualifying paper, a requirement in the History of Art and Architecture Department at Harvard University. My qualifying paper explores the conception of the mother-child motif in ancient India within Hindu, Buddhist, and Jain traditions, and expands on the function and role of these goddesses and the similarities and differences in their worship.

The Mittal Institute’s 2016–2020 Arts Program Report

The Mittal Institute’s 2016–2020 Arts Program Report

The digital version of the Mittal Institute’s 2016–2020 Arts Program Report has just been released! The report highlights the Mittal Institute’s Visiting Artist Fellows from 2016–2020, as well as the new developments in the Program on Conservation of Culture. Check out the digital version here to learn more. Below, read Professor Jinah Kim’s introduction to the report and the Arts Program at the Mittal Institute.

Sakshi Gupta: Framing the Human Condition Through Sculpture and Mixed Media

Sakshi Gupta: Framing the Human Condition Through Sculpture and Mixed Media

Sakshi Gupta is an accomplished sculptor and mixed media artist from India and one of the Mittal Institute’s Fall 2019 Visiting Artist Fellows. Her practice frames human conditions of understanding, progressing, suffering, and halting due to a lack or gain of knowledge, will, or energy. Her work grapples with the need to achieve a balance between life’s inherent polarities, exhibiting this by utilizing materials often considered waste or ordinary. She’s dedicated her life to an immersive journey through form and material, toward the non-material and experiential.