The Mittal Institute is sending our deepest condolences to Sir Fazle Hasan Abed’s family and friends in his passing. He will be warmly remembered and solely missed. Abed Bhai, Founder and Chairperson of Bangladesh development organization BRAC, gave the Mittal Institute’s 2014 Mahindra Lecture, providing an enlightening account of the extraordinary accomplishments of the global organization. “Hope is an element in which people take action, and energize themselves out of poverty,” he said.
Category : News
Sakshi Gupta is an accomplished sculptor and mixed media artist from India and one of the Mittal Institute’s Fall 2019 Visiting Artist Fellows. Her practice frames human conditions of understanding, progressing, suffering, and halting due to a lack or gain of knowledge, will, or energy. Her work grapples with the need to achieve a balance between life’s inherent polarities, exhibiting this by utilizing materials often considered waste or ordinary. She’s dedicated her life to an immersive journey through form and material, toward the non-material and experiential.
The Crossroads Emerging Leaders Program began in 2017, a joint effort between the Harvard Business School Club of the GCC, HBS Professors Tarun Khanna and Karim Lakhani, and the Mittal Institute. This year, the Crossroads Emerging Leaders Program received 6,093 total applications from 97 countries spanning the Middle East, Africa, Central Asia, Latin America, South Asia, and US students at Historically Black Colleges and Universities (HBCU). Of the candidates, 4,263 were selected to move onto the next round, which consisted of a fully funded selection of interdisciplinary courses offered online on HarvardX through Crossroads’ partnership with edX.
Symposia dedicated to the art and culture of early modern Nepal come around only once in a generation. And the atmosphere at the Nepal Mandala in an Early Modern South Asia symposium last week, run by Jinah Kim (Harvard University) and Todd Lewis (College of the Holy Cross), reflected the rarity of this meeting. The symposium brought together international experts on the history, culture, and societies of the “Nepal Mandala” — or the Kathmandu Valley — to present papers on the region’s place in early modern South Asia.
Each year, the Mittal Institute holds the Seed for Change competition, welcoming student projects that impact societal, economic, and environmental issues in India and Pakistan. Our latest digital report on the program is out now, highlighting the work of the winning teams. Click here to read it!
This week, the Nepal Mandala Symposium will take an in-depth look at Nepal’s artistic heritage, its place in Asia’s artistic ecosystem, and the continuing practice of Indic Buddhist traditions. Dipti Sherchan, a graduate student at the Department of Anthropology in the University of Illinois at Chicago, will join the panel “Nepal Mandala in the Intra- and Trans-Regional Context.” We sat down with her to learn more about her expertise in the anthropology of state and art, and the emergence of the Juddha Kala Pathshala art school in Nepal — a unique and one-of-a-kind cultural institution in Kathmandu.
Earlier this week, we were joined by Karthika Naïr, author and poet, for an in-depth discussion on her latest book, Until the Lions. In the book, Naïr retells the story of the Mahabharata through the embodied voices of women and marginal characters. In conversation with Professor Parimal Patil, Professor of Religion and Indian Philosophy at Harvard University, and with the audience, Naïr brought these voices to life.
The Mittal Institute is pleased to announce its newest donor, Kushagra Nayan Bajaj, an Indian businessman who is the Chairman of the Bajaj Group, the Chairman and Managing Director of Bajaj Hindusthan Limited, and Chairman of Bajaj Corp Limited. His support will create a new, upcoming visiting research fellowship at the Mittal Institute to deepen the teaching and research on significant cultural issues related to South Asia. We spoke with him to learn more about his background and his interest in the Mittal Institute.
Recently, the Mittal Institute hosted a book workshop with Dr. Mariam Chughtai, Babar Ali Fellow at the Mittal Institute and Associate Dean and Assistant Professor at the LUMS School of Education in Lahore, Pakistan, to curate feedback on her manuscript currently in progress. In a book workshop, a professor hosts a junior scholar and invites other senior scholars from the relevant field to come together and provide feedback on the junior scholar’s developing book manuscript.
The latest inauguration ceremonies of two Prakash Vision Centers (PVCs) in Brahmpur and Pali blocks of Gorakhpur, Uttar Pradesh, were recently held in late October. These vision centers have been established under the project “Multidisciplinary Approach to Innovative Social Enterprises” with support from the Mittal Institute and Harvard Global Research Support Centre in India. More than a hundred people from the neighboring villages attended the ceremony, which featured special guests Rinku Yadav, the Village Pradhan of Lalapur village in Brahmpur Block, and Brijil K. Mathew, Manager of Eye Care Services at Fatima Hospital in Gorakhpur. Fatima Hospital is a charitable hospital with a well-appointed ophthalmic division that has partnered with Project Prakash to provide medical treatment to patients referred from PVCs for specialized care.
Each year, the Mittal Institute welcomes a new Raghunathan Family Fellow to support recent PhDs whose research lies in the humanities and social sciences related to South Asia. Naveen Bharathi, the Mittal Institute’s 2019-20 Raghunathan Family Fellow, comes to Harvard with a breadth of experience as an architect, planner, and researcher of political sociology and political economy of identity in India. Most particularly, his research explores the relationship between ethnic diversity and development in contemporary urban India.
Co-curated by Dr. Jinah Kim, Professor of History of Art & Architecture at Harvard University, and Dr. Todd Lewis, Distinguished Professor of Religious Studies at College of the Holy Cross, the Dharma and Punya: Buddhist Ritual Art of Nepal exhibit at the College of the Holy Cross’s Iris & B. Gerald Cantor Art Gallery highlights Nepal’s artistic heritage as a rich and enduring continuation of Indic Buddhist traditions. From December 5–7, 2019, the Nepal Mandala Symposium will bring together scholars of religion, anthropology, and art history whose work examines critically various aspects of Nepal’s culture and history, culminating in a visit to the exhibition. We sat down with Dr. Jinah Kim to learn more about Nepal’s artistic heritage, the role of ritual in Buddhism, and what to expect from the upcoming Symposium and exhibition.