Sakshi Gupta is an accomplished sculptor and mixed media artist from India and one of the Mittal Institute’s Fall 2019 Visiting Artist Fellows. Her practice frames human conditions of understanding, progressing, suffering, and halting due to a lack or gain of knowledge, will, or energy. Her work grapples with the need to achieve a balance between life’s inherent polarities, exhibiting this by utilizing materials often considered waste or ordinary. She’s dedicated her life to an immersive journey through form and material, toward the non-material and experiential.
Category : In Region
The Crossroads Emerging Leaders Program began in 2017, a joint effort between the Harvard Business School Club of the GCC, HBS Professors Tarun Khanna and Karim Lakhani, and the Mittal Institute. This year, the Crossroads Emerging Leaders Program received 6,093 total applications from 97 countries spanning the Middle East, Africa, Central Asia, Latin America, South Asia, and US students at Historically Black Colleges and Universities (HBCU). Of the candidates, 4,263 were selected to move onto the next round, which consisted of a fully funded selection of interdisciplinary courses offered online on HarvardX through Crossroads’ partnership with edX.
Symposia dedicated to the art and culture of early modern Nepal come around only once in a generation. And the atmosphere at the Nepal Mandala in an Early Modern South Asia symposium last week, run by Jinah Kim (Harvard University) and Todd Lewis (College of the Holy Cross), reflected the rarity of this meeting. The symposium brought together international experts on the history, culture, and societies of the “Nepal Mandala” — or the Kathmandu Valley — to present papers on the region’s place in early modern South Asia.
This week, the Nepal Mandala Symposium will take an in-depth look at Nepal’s artistic heritage, its place in Asia’s artistic ecosystem, and the continuing practice of Indic Buddhist traditions. Dipti Sherchan, a graduate student at the Department of Anthropology in the University of Illinois at Chicago, will join the panel “Nepal Mandala in the Intra- and Trans-Regional Context.” We sat down with her to learn more about her expertise in the anthropology of state and art, and the emergence of the Juddha Kala Pathshala art school in Nepal — a unique and one-of-a-kind cultural institution in Kathmandu.
The latest inauguration ceremonies of two Prakash Vision Centers (PVCs) in Brahmpur and Pali blocks of Gorakhpur, Uttar Pradesh, were recently held in late October. These vision centers have been established under the project “Multidisciplinary Approach to Innovative Social Enterprises” with support from the Mittal Institute and Harvard Global Research Support Centre in India. More than a hundred people from the neighboring villages attended the ceremony, which featured special guests Rinku Yadav, the Village Pradhan of Lalapur village in Brahmpur Block, and Brijil K. Mathew, Manager of Eye Care Services at Fatima Hospital in Gorakhpur. Fatima Hospital is a charitable hospital with a well-appointed ophthalmic division that has partnered with Project Prakash to provide medical treatment to patients referred from PVCs for specialized care.
Each year, the Mittal Institute welcomes a new Raghunathan Family Fellow to support recent PhDs whose research lies in the humanities and social sciences related to South Asia. Naveen Bharathi, the Mittal Institute’s 2019-20 Raghunathan Family Fellow, comes to Harvard with a breadth of experience as an architect, planner, and researcher of political sociology and political economy of identity in India. Most particularly, his research explores the relationship between ethnic diversity and development in contemporary urban India.
Co-curated by Dr. Jinah Kim, Professor of History of Art & Architecture at Harvard University, and Dr. Todd Lewis, Distinguished Professor of Religious Studies at College of the Holy Cross, the Dharma and Punya: Buddhist Ritual Art of Nepal exhibit at the College of the Holy Cross’s Iris & B. Gerald Cantor Art Gallery highlights Nepal’s artistic heritage as a rich and enduring continuation of Indic Buddhist traditions. From December 5–7, 2019, the Nepal Mandala Symposium will bring together scholars of religion, anthropology, and art history whose work examines critically various aspects of Nepal’s culture and history, culminating in a visit to the exhibition. We sat down with Dr. Jinah Kim to learn more about Nepal’s artistic heritage, the role of ritual in Buddhism, and what to expect from the upcoming Symposium and exhibition.
“If we look at some of the most contentious land conflicts over the past decade, we realize that the new economic corridors are not anachronistic to the agrarian countryside. Instead, they accrete onto former agricultural modernization programs of the Green Revolution. The Green Revolution helped consolidate … provincial propertied classes — and these agrarian propertied classes are at the forefront of these corridor conflicts,” said Sai Balakrishnan, Assistant Professor of Urban Planning at the Harvard Graduate School of Design, in her talk this week on economic corridors in India and the infrastructural urbanizing development projects that come with them.
Most personal accounts of what had transpired during the weeks before and after August 1947 are handed down as inter-generational knowledge. And yet, given the traumatic uprooting and violence of the event, there remains a palpable silence around stories relating to violence against or loss of family members. As a third-generation member of a family that had witnessed the Partition of British India in 1947, I grew up listening to stories full of paradoxes. The stories of my grandparents were replete with instances of compassion between individuals and families despite the raging madness that prevailed throughout the larger community.
My main goal was to examine the production of religious sound in a variety of settings, with an eye toward the social demarcation of “spaces” around the sites of these sounds. Of course, this originally led me to the kinds of places that one would obviously expect: shrines, churches, gurdwaras, masjids, a few Buddhist monasteries, and so on. After listening to most of the field recordings I made, they all seemed to end up pointing to the sort of conclusions that are common in the literature on sound studies in urban spaces: people go about their business within their particular location-bound social milieu, but sound bleeds over.
We recently sat down with Alex Beaudette, Sapna Shah, and Ankur Goel: three members of Professor Conor Walsh’s research team who are working on the research and development of the Soft Robotics Toolkit. This project has grown out of research conducted at Harvard University, University College Dublin, and Trinity College Dublin to become a comprehensive resource that will teach students how to design, fabricate, model, and test their own soft robotic devices — eventually making its way to Indian classrooms. This month, the team was in Delhi to conduct workshops with a group of educators and students, testing the kit with its main audience to inform continued development of its parts and instructions.
Economic corridors — ambitious infrastructural development projects throughout Asia and Africa — are dramatically redefining the shape of urbanization. As these corridors cut across croplands, the conversion of agricultural lands into new urban uses has erupted in volatile land conflicts. We sat down with Sai Balakrishnan, Assistant Professor of Urban Planning at the Harvard Graduate School of Design, to learn more about the interaction between agrarian and urban lands throughout India, and the effects that infrastructural changes are having on the nation’s population. On Tuesday, November 5, Balakrishnan will head a panel, Shareholder Cities, on urbanization along the first economic corridor built in India, the Mumbai-Pune Expressway.