Before the upcoming Buddhism in Nepal conference on Monday, May 7, The Mittal Institute spoke with professor and conference organizer Leonard van der Kuijp about the conference and the Nepal Studies Program.
In anticipation of her upcoming book, The Mittal Institute Research Affiliate Vineeta Sinha sat down with us to discuss her work on the Hindu Diaspora in Singapore and her thoughts on being a woman in academia. “Sitting on recruitment and reviewing committees and on management boards, I have witnessed that even my lone presence as a woman tempers the tone of the discussion and prevents loaded and blatantly sexist and even racist questions to be raised — even if it is just for political correctness,” she says.
In the developing world, 95% of people with a clinically significant mental illness receive no treatment at all, and it costs the global economy an estimated trillion dollars a year. Vikram Patel is a distinguished Indian psychiatrist and The Pershing Square Professor of Global Health at Harvard Medical School. The Mittal Institute’s Hasit Shah caught up with him before our 2018 Symposium, where Professor Patel was one of the key speakers.
“The transformational support from Indian industrialist Mr. Lakshmi Mittal and his family ensures that South Asia remains an education and research priority at Harvard. The $25m naming endowment builds on the foundation established by the University and our Advisory Council. The Lakshmi Mittal South Asia Institute (The Mittal Institute) at Harvard University enters a new era of being a catalyst for interdisciplinary, Harvard-wide initiatives across South Asia.” – Tarun Khanna (Director, The Mittal Institute; Jorge Paulo Lemann Professor, Harvard Business School)
Was that a flash of gold I just saw? I moved around to the other side of the table, hoping to catch the light just right again. I was in a storage room of the Archäologisches Zentrum of the Museum fur Islamische Kunst in Berlin, viewing a folio of calligraphy signed by the Mughal prince Dara Shikoh (1615-59). I tilted my head as I followed the flowing lines of nast’aliq script around the page.
On April 17, The Mittal Institute hosted an opening reception and seminar for the exhibition, “Revelations: Reclaiming South Asian Narratives.” By exhibiting pieces from this year’s Visiting Artists, the show aims to unravel challenging social issues that often fall outside the limelight.
As a 2018 Mittal Institute Visiting Artist, Rajyashri Goody’s art revolves around the complexities of identity seen through the lens of larger social, political, economic, and religious structures at play — and consequently the tug between power and resistance that manifests itself within minority communities.
Before her participation in the upcoming panel “Are South Asians a Single Population? Insights from Culture, Genetics, and Disease,” The Mittal Institute asked Priya Moorjani about her research, which uses statistical and computational approaches to study questions in human genetics and evolutionary biology.
Theater and performance art can bring many things to both its audience and actors. It can educate, empower, and start difficult conversations. As part of Asian Heritage Month, the South Asian Sisters @ Harvard are producing Yoni Ki Baat, a South Asian version of The Vagina Monologues, to place a spotlight on gender, sexuality, and femininity in this cultural context. SAI chatted with co-directors Amberine Huda and Sheliza Jamal, SAI communications intern, about their involvement and passion for this production.
The Lakshmi Mittal South Asia Institute (SAI), Harvard University conducted an open house on “Trust and Creativity, Fostering Entrepreneurship in Developing Countries,” the last in a series of events planned to mark the official opening of its India headquarters in Delhi.
The birth of Hindu-led India and Muslim-ruled Pakistan in 1947 from what had been British India was horrifically violent, the start of a religious conflict in which millions died and millions more fled across the new borders toward safety. The great sorting that occurred after the Partition of India remains the largest forced migration in human history, characterized not just by the bloodshed and tears with which it is often associated, but also by often-overlooked acts of courage and kindness, according to Harvard scholars studying it.
Murad Khan Mumtaz’s research focuses on devotional portraiture with a special interest in representations of Muslim saints in early modern India. On April 6th, he gave a talk at SAI that will discuss sixteenth and early-seventeenth-century album and manuscript paintings made for Muslim patrons. Before his talk, we chatted with him about his Miniature Portrait training at the Lahore National College of Art, his influences, and journey into traditional musawwari painting.