Was that a flash of gold I just saw? I moved around to the other side of the table, hoping to catch the light just right again. I was in a storage room of the Archäologisches Zentrum of the Museum fur Islamische Kunst in Berlin, viewing a folio of calligraphy signed by the Mughal prince Dara Shikoh (1615-59). I tilted my head as I followed the flowing lines of nast’aliq script around the page.
Category : News
On April 17, The Mittal Institute hosted an opening reception and seminar for the exhibition, “Revelations: Reclaiming South Asian Narratives.” By exhibiting pieces from this year’s Visiting Artists, the show aims to unravel challenging social issues that often fall outside the limelight.
As a 2018 Mittal Institute Visiting Artist, Rajyashri Goody’s art revolves around the complexities of identity seen through the lens of larger social, political, economic, and religious structures at play — and consequently the tug between power and resistance that manifests itself within minority communities.
Before her participation in the upcoming panel “Are South Asians a Single Population? Insights from Culture, Genetics, and Disease,” The Mittal Institute asked Priya Moorjani about her research, which uses statistical and computational approaches to study questions in human genetics and evolutionary biology.
Theater and performance art can bring many things to both its audience and actors. It can educate, empower, and start difficult conversations. As part of Asian Heritage Month, the South Asian Sisters @ Harvard are producing Yoni Ki Baat, a South Asian version of The Vagina Monologues, to place a spotlight on gender, sexuality, and femininity in this cultural context. SAI chatted with co-directors Amberine Huda and Sheliza Jamal, SAI communications intern, about their involvement and passion for this production.
The Lakshmi Mittal South Asia Institute (SAI), Harvard University conducted an open house on “Trust and Creativity, Fostering Entrepreneurship in Developing Countries,” the last in a series of events planned to mark the official opening of its India headquarters in Delhi.
The birth of Hindu-led India and Muslim-ruled Pakistan in 1947 from what had been British India was horrifically violent, the start of a religious conflict in which millions died and millions more fled across the new borders toward safety. The great sorting that occurred after the Partition of India remains the largest forced migration in human history, characterized not just by the bloodshed and tears with which it is often associated, but also by often-overlooked acts of courage and kindness, according to Harvard scholars studying it.
Murad Khan Mumtaz’s research focuses on devotional portraiture with a special interest in representations of Muslim saints in early modern India. On April 6th, he gave a talk at SAI that will discuss sixteenth and early-seventeenth-century album and manuscript paintings made for Muslim patrons. Before his talk, we chatted with him about his Miniature Portrait training at the Lahore National College of Art, his influences, and journey into traditional musawwari painting.
Building a country’s future is no easy task. Especially since young leaders often need to be coached and given proper opportunities. Even with this challenge, Pukar Malla has spent his career conducting research and developing initiatives to bring self-sustaining entrepreneurship to Nepal.
On Wednesday, April 4th, SAI hosted an opening reception for its Spring Art Exhibition, “Showcasing Research in South Asia Through Visual Arts.” It features 2D and 3D art and artifacts inspired by Harvard students who traveled to South Asia sponsored by Harvard SAI travel grants. The show was curated by Sheliza Jamal (Graduate School of Education) and Neeti Nayak (Graduate School of Design).
Tushar Madav and Sarvnik Kaur’s documentary Soz: A Ballad of Maladies gives the world a look at the Kashmir region without media-sponsored stereotypes or rhetoric. In an interview with SAI, the filmmakers of Soz: A Ballad of Maladies discuss their film and the importance of telling the overlooked stories of artistic dissent in Kashmir.
After realizing that he could use food to make an impact within communities, Neel Ghose founded the Robin Hood Army to serve neighborhoods across India, Pakistan, and other Asian countries. Learn more about his mission and strategies from this interview.